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THE SUNDAY CONCERT: Red Garland

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My take on a classic… GROOVY (2013) by Ignacio Alperin

William “Red” Garland was born in Dallas, Texas, in 1923. He began his musical studies on the clarinet and alto saxophone but in 1940 switched to the piano.

After WWII Garland, already recognized as a very promising young musician, began to perform around Boston, NYC and Philadelphia with the likes of Billy Eckstine, Roy Eldridge, Coleman Hawkins, Charlie Parker and Lester Young.

But he was finally thrown into the spotlight when, in 1954, he joined the Miles Davis Quintet that included John Coltrane, Philly Joe Jones and Paul Chambers. Together the group recorded their famous The New Miles Davis Quintet (1954), Workin, Steamin’, Cookin’, and Relaxin’.

Garland also played on the first of Davis’s many Columbia recordings, ‘Round About Midnight (1957). Though he would continue playing with Miles, their relationship was beginning to deteriorate. In 1958 he was fired by Miles but he nevertheless returned to play in another classic record: Milestones. He continued recording until his death from a heart attack in April 1984 at the age of 60.

In 1958, after his separation from Davis´ band, Garland formed his own trio. From the period just prior to his break up with Miles, we have something really nice for you this Sunday.

It is none other than “Groovy”, recorded in 1957.

A wonderful recording with Garland, Paul Chambers and Art Taylor.

I hope you enjoy it.



Until next time (and have a great Sunday!)

Ignacio

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©2016 by Ignacio Alperin Bruvera

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Dream a little dream (of me)

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Dream a Little Dream (2014) by Ignacio Alperin

Stars shining bright above you

Night breezes seem to whisper “I love you”

Birds singing in the sycamore trees

Dream a little dream of me

 

Say nighty-night and kiss me

Just hold me tight and tell me you’ll miss me

While I’m alone and blue as can be

Dream a little dream of meDream_a_little_dream_(2014)_100cmx100cm_IAB_longdetail

 

Stars fading but I linger on dear

Still craving your kiss

I’m longing to linger till dawn dear

Just saying this

 

Sweet dreams till sunbeams find you

Sweet dreams that leave all worries behind you

But in your dreams whatever they be

Dream a little dream of me

 

Stars fading but I linger on dear

Still craving your kiss

I’m longing to linger till dawn dear

Just saying this

 

Sweet dreams, till sunbeams find you

Gotta keep dreaming leave all worries behind you

But in your dreams whatever they be

You gotta make me a promise, promise to me

You’ll dream, dream a little of me



Songwriters

FABIAN ANDRE, GUS KAHN, WILBUR SCHWANDT

Published by

Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group

Painting: Dream a Little Dream (2014) by Ignacio Alperin. Oil based paints, inks and acrylics on canvas – 100cm x 100cm. ©2014 by Ignacio Alperin Bruvera.

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FORTY SOMETHING

The number 40 is of great importance in Judeo-Christian tradition.

fotos-1927478h640In biblical times, it was assumed that a person would die 40 days after he or she stopped breathing. The great Kings of Israel (Saul, David and Salomon) all reigned for forty years, Jonas preached for 40 days before Nineveh’s destruction, Noah’s great rains lasted 40 days and Moses received his call at 40 years of age and stayed in Sinai for 40 days. Furthermore, the chosen people lived in the desert for 40 years, while Jesus preached for 40 months, was tempted in the same desert by the devil for 40 days, disappeared from his burial place within 40 hours and appeared after resurrection, and before ascension, for exactly 40 days. And, obviously, forty days is the preparation time before Easter.

Forty was presumed to be THE number required for full transformation or renewal.

So is then forty a magical number? Probably not (I do not have the answer). It may probably be just a number, but it is definitely something else, and that is a message in a bottle.

It may simply mean “give it reasonable time”.

It may exemplify the fact that everything that is important, everything that requires a shift from an accepted paradigm, or a change of perspective, also requires a sensible time to mature and happen.

It´s only a canvas sky hanging over a muslin tree parcial 3

When I am “stuck” on an issue with my painting, I have two choices. Muddle through or give it time. And more often than not I will chose to give it time. Let it mature. And this means that I should “lay off”. Let it be for a while. Look at my troubled work in that typically artistic stance that is a mixture between despair and admiration for what we have done and may never repeat.

The_Thinker,_Auguste_Rodin

So my recommendation would be, let it be. Give yourself a period to rest. Forty minutes, forty hours or forty days. Fifty, fifteen, twenty or whatever you happen to feel is right, but give it time. And giving it time also means looking for silence, searching for a period to reason, contemplating, and extracting answers and further questions (after all, if anything , we have learned by now that one answer inexorably leads to a new uncertainty).

And letting it be also means going into your own desert, being tempted to do misguided stuff, and finally Bp8zdtDIUAA4JL_returning from the horrowing experience free from pressures and erronous stimuli, feeling liberated and ready to resume the correct path.

Forty something, twenty something, sixty something…it doesn´t really matter. It is all probably all pretty much the same.  It should simply be a great opportunity to stop, move away, think and maybe, just get it right.

Until the next time!

Ignacio

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©2016 by Ignacio Alperin Bruvera

 

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IN ENGLISH previous works by the same artist Promoting your Art The Sunday Concert (Jazz) Videos Visual Jazz

THE SUNDAY CONCERT: Bill Evans

dald workinprog sm_edited.jpgThere isn´t much that can be said that has not already been said about Bill Evans.

bepianoIn what was described by long time friend Gene Lees as the “longest suicide in history”, Evans tragic life marked by great loses and drug abuse ended in 1980. Yet his mark was left for everyone to see and admire, and he is perceived as the main reformer of the harmonic language of jazz piano. He has influenced generations of brilliant pianists, including one of the best and most gifted of the current bunch, the great Brad Mehldau.

He was honored with 31 Grammy nominations and seven awards, and was inducted in the Down Beat Jazz Hall of Fame.

It is time now to get to what is important, and to enjoy Bill Evans in his recordings for the Riverside Label.

Until next time.

Ignacio

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©2016 by Ignacio Alperin Bruvera

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Know what I mean

I know what I mean detail2

I´m going this way, I´m going that way…

Why?…

Should I come back? I know what I mean detail3

This road, that road, any road…

Man it is hard to know the way…

It´s cold, it´s hot. It´s somewhere between.

It is where life takes us.

Know what I mean?

 

 

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I KNOW WHAT I MEAN (2015) by Ignacio Alperin

 

Until next time.

Ignacio

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All Texts ©2016 by Ignacio Alperin Bruvera