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THE SUNDAY CONCERT: Red Garland

Groovy (2013) 90x90cm acrylic, ink and oil based paints on canvas.jpg
My take on a classic… GROOVY (2013) by Ignacio Alperin

William “Red” Garland was born in Dallas, Texas, in 1923. He began his musical studies on the clarinet and alto saxophone but in 1940 switched to the piano.

After WWII Garland, already recognized as a very promising young musician, began to perform around Boston, NYC and Philadelphia with the likes of Billy Eckstine, Roy Eldridge, Coleman Hawkins, Charlie Parker and Lester Young.

But he was finally thrown into the spotlight when, in 1954, he joined the Miles Davis Quintet that included John Coltrane, Philly Joe Jones and Paul Chambers. Together the group recorded their famous The New Miles Davis Quintet (1954), Workin, Steamin’, Cookin’, and Relaxin’.

Garland also played on the first of Davis’s many Columbia recordings, ‘Round About Midnight (1957). Though he would continue playing with Miles, their relationship was beginning to deteriorate. In 1958 he was fired by Miles but he nevertheless returned to play in another classic record: Milestones. He continued recording until his death from a heart attack in April 1984 at the age of 60.

In 1958, after his separation from Davis´ band, Garland formed his own trio. From the period just prior to his break up with Miles, we have something really nice for you this Sunday.

It is none other than “Groovy”, recorded in 1957.

A wonderful recording with Garland, Paul Chambers and Art Taylor.

I hope you enjoy it.



Until next time (and have a great Sunday!)

Ignacio

entrevista2014

©2016 by Ignacio Alperin Bruvera

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IN ENGLISH previous works by the same artist Promoting your Art The Sunday Concert (Jazz) Videos Visual Jazz

THE SUNDAY CONCERT: Bill Evans

dald workinprog sm_edited.jpgThere isn´t much that can be said that has not already been said about Bill Evans.

bepianoIn what was described by long time friend Gene Lees as the “longest suicide in history”, Evans tragic life marked by great loses and drug abuse ended in 1980. Yet his mark was left for everyone to see and admire, and he is perceived as the main reformer of the harmonic language of jazz piano. He has influenced generations of brilliant pianists, including one of the best and most gifted of the current bunch, the great Brad Mehldau.

He was honored with 31 Grammy nominations and seven awards, and was inducted in the Down Beat Jazz Hall of Fame.

It is time now to get to what is important, and to enjoy Bill Evans in his recordings for the Riverside Label.

Until next time.

Ignacio

entrevista2014

©2016 by Ignacio Alperin Bruvera

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IN ENGLISH previous works by the same artist Promoting your Art The Sunday Concert (Jazz) Videos Visual Jazz

THE SUNDAY CONCERT: Cannonball Adderley

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Cannonball Adderley

Ready for a laid back, relaxed Sunday?

Then you have come to the right place, because this Sunday Concert is dedicated to Cannonball Adderley and his famous album from 1958, “Somethin´ Else”.

Cannonball Adderley gave up his own band in 1957 on the hope, and later realization, that he was going to be a part of Jazz history when Miles Davis asked him to become sideman in Davis’ epic ensemble with John Coltrane, and eventually Bill Evans.

The result? Some “forgettable” works like Milestones and Kind of Blue..

Miles Davis returned the favor and in March of 1958, he appeared on Adderley´s Blue Note Album “Somethin´ Else”, appearing as his sideman in an all star quintet session date.

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Miles, Cannonball and Trane recording Kind of Blue

The result is a cool, sometimes laid-back, sometimes rhythmic, sometimes groovy and boppish, but all together, a glorious album that more than 50 years later we can enjoy on a slow Sunday.

So here it is, “Somethin´Else” with the Cannonball Adderley Quintet featuring Miles Davis.

See you next time!

Ignacio

entrevista2014

©2016 por Ignacio Alperin Bruvera

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IN ENGLISH previous works by the same artist Promoting your Art The Sunday Concert (Jazz) Videos Visual Jazz

THE SUNDAY CONCERT: Benny Golson

IAB_That Other Day_2015_detailThis is the first of my Sunday Articles dedicated to a Jazz Legend.Golson-Farmer-resized

This Sunday, the first of the series, it is dedicated to a Bebop Legend: Mr Benny Golson.

Born on January 25th, 1929 (he is now age 87), Golson is a much loved (and many times forgotten by younger generations) hero of one of the most important eras of modern Jazz.

He was part of a bunch of musicians from Philadelphia who would in time change the way we saw Jazz. As a young kid he used to play with other promising musicians, people like the young John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney (nice school friends to have if you ask me!).

After several bands straight out of college, he joined the “big leagues”, playing from 53 until 59 with Tadd Dameron, Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey, with whom he recorded the classic Moanin’ in 1958.

220px-Benny_Golson's_New_York_SceneIn 1995 Golson received the NEA Jazz Masters Award of the National Endowment for the Arts. In October 2007 Golson accepted the Mellon Living Legend Legacy Award presented by the Mid Atlantic Arts Foundation at a ceremony at the Kennedy Center. Furthermore, during the same month, he won the University of Pittsburgh International Academy of Jazz Outstanding Lifetime Achievement Award at the university’s 37th Annual Jazz Concert in the Carnegie Music Hall. In November 2009, Benny was inducted into the International Academy of Jazz Hall of Fame during a performance at the University of Pittsburgh’s annual jazz seminar and concert.

So, after reviewing this “young man´s” incredible credentials, how about if we just get to it!

Here is the first of our Sunday Jazz concerts.

I invite you to simply enjoy the glorious music of Mr. Benny Golson.

Until next time (and have a great Sunday!)

Ignacio

entrevista2014

©2016 by Ignacio Alperin Bruvera