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FORTY SOMETHING

The number 40 is of great importance in Judeo-Christian tradition.

fotos-1927478h640In biblical times, it was assumed that a person would die 40 days after he or she stopped breathing. The great Kings of Israel (Saul, David and Salomon) all reigned for forty years, Jonas preached for 40 days before Nineveh’s destruction, Noah’s great rains lasted 40 days and Moses received his call at 40 years of age and stayed in Sinai for 40 days. Furthermore, the chosen people lived in the desert for 40 years, while Jesus preached for 40 months, was tempted in the same desert by the devil for 40 days, disappeared from his burial place within 40 hours and appeared after resurrection, and before ascension, for exactly 40 days. And, obviously, forty days is the preparation time before Easter.

Forty was presumed to be THE number required for full transformation or renewal.

So is then forty a magical number? Probably not (I do not have the answer). It may probably be just a number, but it is definitely something else, and that is a message in a bottle.

It may simply mean “give it reasonable time”.

It may exemplify the fact that everything that is important, everything that requires a shift from an accepted paradigm, or a change of perspective, also requires a sensible time to mature and happen.

It´s only a canvas sky hanging over a muslin tree parcial 3

When I am “stuck” on an issue with my painting, I have two choices. Muddle through or give it time. And more often than not I will chose to give it time. Let it mature. And this means that I should “lay off”. Let it be for a while. Look at my troubled work in that typically artistic stance that is a mixture between despair and admiration for what we have done and may never repeat.

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So my recommendation would be, let it be. Give yourself a period to rest. Forty minutes, forty hours or forty days. Fifty, fifteen, twenty or whatever you happen to feel is right, but give it time. And giving it time also means looking for silence, searching for a period to reason, contemplating, and extracting answers and further questions (after all, if anything , we have learned by now that one answer inexorably leads to a new uncertainty).

And letting it be also means going into your own desert, being tempted to do misguided stuff, and finally Bp8zdtDIUAA4JL_returning from the horrowing experience free from pressures and erronous stimuli, feeling liberated and ready to resume the correct path.

Forty something, twenty something, sixty something…it doesn´t really matter. It is all probably all pretty much the same.  It should simply be a great opportunity to stop, move away, think and maybe, just get it right.

Until the next time!

Ignacio

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©2016 by Ignacio Alperin Bruvera

 

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IN ENGLISH previous works by the same artist Promoting your Art The Sunday Concert (Jazz) Videos Visual Jazz

THE SUNDAY CONCERT: Bill Evans

dald workinprog sm_edited.jpgThere isn´t much that can be said that has not already been said about Bill Evans.

bepianoIn what was described by long time friend Gene Lees as the “longest suicide in history”, Evans tragic life marked by great loses and drug abuse ended in 1980. Yet his mark was left for everyone to see and admire, and he is perceived as the main reformer of the harmonic language of jazz piano. He has influenced generations of brilliant pianists, including one of the best and most gifted of the current bunch, the great Brad Mehldau.

He was honored with 31 Grammy nominations and seven awards, and was inducted in the Down Beat Jazz Hall of Fame.

It is time now to get to what is important, and to enjoy Bill Evans in his recordings for the Riverside Label.

Until next time.

Ignacio

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©2016 by Ignacio Alperin Bruvera

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Know what I mean

I know what I mean detail2

I´m going this way, I´m going that way…

Why?…

Should I come back? I know what I mean detail3

This road, that road, any road…

Man it is hard to know the way…

It´s cold, it´s hot. It´s somewhere between.

It is where life takes us.

Know what I mean?

 

 

I know what I mean (2015) 60x80cmby IABsmf
I KNOW WHAT I MEAN (2015) by Ignacio Alperin

 

Until next time.

Ignacio

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All Texts ©2016 by Ignacio Alperin Bruvera

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MONK´S DREAM

232685Originally released in early 1963, Monk’s Dream was the first Thelonious Monk album for Columbia Records.

Far from his late 40s early days of play, bop, and boomerang like throws of tempo and melody, by late 1962 his spirit had been broken.

Gone were also the days of his 50s Prestige Albums for which he felt he had had little recognition. Only in the period spanning 1958 to 1962 he was finally received as he felt he should. He was finally considered one of the preeminent figures in contemporary Jazz.

As a matter of fact, he also began recording this album in 1962, and it was released months later in 1963.

Columbia was then the home of Brubeck and Davis, and Monk filled the spot for this trio of sorts for a label building a mark around what was new with jazz.

Monk´s dream is also my panting.

Monk´s Dream (2015) 50x50 IAB

50cmx50cm, acrylic, inks and oil based paints on canvas. Painted in 2015, it expresses the volatility of Monk´s playing, his hot a cold moments, his ups and downs like some cartoon mountain range, his almost mad cap presence, and the difficulty of those around him to keep up with his inventive as well as happy, almost exuberant, playing.

Monk´s Dream was the last of the great Monk, and it became also the best selling album of his career. He topped it only in 1964 when he was in the prestigious cover of Time Magazine with an article called “The loneliest Man”.

Even though he kept playing and releasing albums until 1971, he was no longer the same that had dazzled beatnicks and jazz lovers alike for almost two decades. His unclearly diagnosed mental illness was becoming more of an issue in his life, causing paying and anguish to everyone around him.

He sadly passed away in 1982, at the relatively young age of 64.

 

Until next time,

Ignacio

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©2016 by Ignacio Alperin Bruvera

 

 

 

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IN ENGLISH previous works by the same artist Promoting your Art The Sunday Concert (Jazz) Videos Visual Jazz

THE SUNDAY CONCERT: Cannonball Adderley

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Cannonball Adderley

Ready for a laid back, relaxed Sunday?

Then you have come to the right place, because this Sunday Concert is dedicated to Cannonball Adderley and his famous album from 1958, “Somethin´ Else”.

Cannonball Adderley gave up his own band in 1957 on the hope, and later realization, that he was going to be a part of Jazz history when Miles Davis asked him to become sideman in Davis’ epic ensemble with John Coltrane, and eventually Bill Evans.

The result? Some “forgettable” works like Milestones and Kind of Blue..

Miles Davis returned the favor and in March of 1958, he appeared on Adderley´s Blue Note Album “Somethin´ Else”, appearing as his sideman in an all star quintet session date.

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Miles, Cannonball and Trane recording Kind of Blue

The result is a cool, sometimes laid-back, sometimes rhythmic, sometimes groovy and boppish, but all together, a glorious album that more than 50 years later we can enjoy on a slow Sunday.

So here it is, “Somethin´Else” with the Cannonball Adderley Quintet featuring Miles Davis.

See you next time!

Ignacio

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©2016 por Ignacio Alperin Bruvera

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2015 art works 2015 Exhibitions 2016 art works 2016 exhibtions Creativity / Creatividad IN ENGLISH Promoting your Art Visual Jazz What is Art

NEVER GIVE UP. NEVER SURRENDER.

There is an old movie called Galaxy Quest, about a group of actors who, having enjoyed better days (professionally and in their personal lives), still perform together occasionally at Mall Openings and conventions. Their common bond is the fact that, long ago, they all starred in a successful TV Sci-fi show (of the same name as the title).

The movie has its moments, particularly at the start when they are kidnapped by an alien race and get embroiled in the middle of a war with a planet of lizards. It is a simple case of mistaken identity.

It seems that the aliens picked-up the TV signals in space and thought that the crappy TV show episodes were in fact historical documents about a group of invincible warriors who saved planets from extinction, while in fact we know they were a bunch of semi-retired second rate actors doing weekly shows in front of cardboard sets.

This movie always comes to mind, not because it is anything outstanding, but because almost every time I give a lecture about creativity or art I get asked by professionals, artists and university students alike, about what are in my mind the most important aspects that help in building a successful career.

Success is many things to many people, and I am not going to try to define it here. Suffice to say that I am assuming that we are talking about attaining some of what we search in life (it may be recognition, love, a family, money, power, a career, and so on).

Furthermore, I am in favor of defining success and failure in every aspect of our lives if we wish, and as we wish. In my case, I let others run races set by someone else. I run my own.

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THE QUESTION IS: WHAT IS SUCCESS TO YOU?

And that may be the first point. You are the master of your own life. You set your destination, and it is up to you to decide how you wish to go about it. I am a great believer that the power of “we” is far superior to the power of “me”, but I have to know where I am going before I can invite others to tag along, or join up with others in their journey.

Many concepts can be added on from there – creativity, solidarity, positive thinking, conscience, ethics, hard work, intelligence, responsibility, self-discipline, clairvoyance of sorts, and so on -, but there is one that is a must. One which to me is so important that it may help to bring you over the other side even when you lack some of those qualities.

In “Galaxy Quest” they keep repeating the catch phrase of the show, which happens to be “Never give up! Never surrender!”. In fact the whole movie is based on this very premise. Not giving up and not surrendering (no matter how ridiculous, scary, or ridiculously scary the situation may be). What they are talking about is nothing more than “resilience”.

Merrian-Webster defines the concept of resilience in general as “the capability of a strained body to recover its size and shape after deformation caused especially by compressive stress”.

That, translated to a human capacity, refers to a quality that allows some people to absorb pressure and failure, and convert it into something positive. The old fashion “taking on the knocks and coming back stronger than ever” attitude.

Some people innately have this quality. Yet for others, it is a matter of learning. Psychologists have identified some of the factors that will categorize someone as resilient.

The most common seems to be optimism. It does not mean blindness to reality. It just means having a positive attitude even after being burned down. It means doing a Phoenix like flip and rising from the ashes. It means taking on apparent failure and turning it into a lesson on the way to success. It makes people capable of adapting intelligently and quickly to change, adjusting their outlook promptly and soldiering on.

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Resilience is at the essence of very successful people (whether they are at the top of the corporate heap or are just a great mum or dad). It is what keeps us going our way when everyone else is also telling us to go, but away.

Sometimes, hitting the proverbial wall has to do with schemas, pre-formatted ideas people have about how things “should” be (many companies also have them and they show up, for example, when seeking new personnel). Sometimes there are other issues and we should always revise our own attitudes as well (it is not a matter of simply placing blame somewhere else either).

But that adaptability, resistance, aptitude and attitude is what allows us to take in responses from others that feel, very often, like a slap in the face and comeback with the best scorecard we have ever done. It means jumping over, letting go by, or simply ignoring the negatives along the way so we can make it to where we want to go.

One great example of this was recently given by Jack Ma. He said: “I failed 3 times in 56192b94-62f9-4af0-90b3-f352bb938054-originalcollege. I applied 30 times to get a job but I have always been rejected. When KFC came to China for the first time, we were 24 to apply and I was the only one to be dismissed. I wanted to go into the police and out of 5 postulants, I was the only one not to be accepted. I applied 10 times to return to Harvard and I was rejected. Never give up because you failed once, twice…just understand that failure is only how we are shown another way to reach our intended route”.

Just in case you don´t know, Jack Ma is the founder of Alibaba, which together with Amazon are the two largest e-commerce websites in the world. He is also the 22nd richest person in the world with $29.8 billion dollars, according to Forbes.

So…just never give up, never surrender. Learn, adapt, spring back, and find your way to your own kind of success.

Until next time,

Ignacio

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©2016 by Ignacio Alperin Bruvera

 

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THE SUNDAY CONCERT: Benny Golson

IAB_That Other Day_2015_detailThis is the first of my Sunday Articles dedicated to a Jazz Legend.Golson-Farmer-resized

This Sunday, the first of the series, it is dedicated to a Bebop Legend: Mr Benny Golson.

Born on January 25th, 1929 (he is now age 87), Golson is a much loved (and many times forgotten by younger generations) hero of one of the most important eras of modern Jazz.

He was part of a bunch of musicians from Philadelphia who would in time change the way we saw Jazz. As a young kid he used to play with other promising musicians, people like the young John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney (nice school friends to have if you ask me!).

After several bands straight out of college, he joined the “big leagues”, playing from 53 until 59 with Tadd Dameron, Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey, with whom he recorded the classic Moanin’ in 1958.

220px-Benny_Golson's_New_York_SceneIn 1995 Golson received the NEA Jazz Masters Award of the National Endowment for the Arts. In October 2007 Golson accepted the Mellon Living Legend Legacy Award presented by the Mid Atlantic Arts Foundation at a ceremony at the Kennedy Center. Furthermore, during the same month, he won the University of Pittsburgh International Academy of Jazz Outstanding Lifetime Achievement Award at the university’s 37th Annual Jazz Concert in the Carnegie Music Hall. In November 2009, Benny was inducted into the International Academy of Jazz Hall of Fame during a performance at the University of Pittsburgh’s annual jazz seminar and concert.

So, after reviewing this “young man´s” incredible credentials, how about if we just get to it!

Here is the first of our Sunday Jazz concerts.

I invite you to simply enjoy the glorious music of Mr. Benny Golson.

Until next time (and have a great Sunday!)

Ignacio

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©2016 by Ignacio Alperin Bruvera

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It´s just a good idea

This is going to be short and to the point.

Buying art is a good idea.

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If you look it at it from the point of view of sheer gratification, few things that you will buy for your house at a reasonable price will give you more enjoyment and for such a long time.

What are the chances that your sofa will increase in price over time? (Yes, I mean after use).sofa.jpg

Not many? How about close to none?

What are the chances that a painting you bought for anywhere between $500 and $5000 will increase in price over time?

Well, you don´t have the best odds but it can and it does happen. Anywhere higher than $4,000 and your odds get better, and those you purchase at prices that go anywhere from $5,000 to $15,000 have probably very good odds of maintaining and increasing prices.

So, if you have a keen eye and good luck, your purchased art work may double, triple, or multiply its original price many times over.


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Now, it is important that you keep it, remember where it is, and pass it over to the next generations. Otherwise what could happen to you is what happened to the unknown original owner of the painting “Preparation for Egypt” (which is thought was painted somewhere between 1605 and 1620). A German student in Berlin was looking for an old sofa for her appartment and decided to buy a pullout couch at a flea market. When she opened it, the painting was inside. It went on to be purchased by an anonymous bidder at auction in Hamburg for a price of $27,630, making the student about 100 times what she originally paid for the couch. So the lesson is to keep your art close, protected, in your will so you can pass it on to others, and definitely, do not hide it in a sofa (no matter how much you like the sofa).


If you are a betting person, always spend a little more (with good and knowledgeable advice is always better) as price in art relates to how the market views the artist (obviously, a higher price acts as an initial validation of the art work). But this is not a must.

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LITTLE TUNES 21 (2012) by Ignacio Alperin

You can find great deals amongst emerging as well as established artists. In my case, I make the point of always of having paintings available below $5,000 (sometimes as low as $1,500 or even less for small pieces), as my interest is that my art get to as many hands as possible. I love having someone buying something for $1,000, and then seeing that person 6 months later with a smile on his or her face because not only they love their painting, but they know they have already made a profit on it as well.

They are my best marketing people. I love the fact that they like my art, and I love seeing them talk about how much they enjoy a particular painting. And I am not alone in this pricing strategy. A great number of artists share this attitude towards the market.

So, if you are looking for enjoyment, originality, a smart and lasting gift for yourself and for the people you love and esteem, as well as a chance at making a handsome profit just for having a keen eye, you cannot do much better than buying art.

And as long as we are talking about smart things to do, I recommend you listen to this album. It is just another good idea.

See you soon.

Ignacio

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©2016 by Ignacio Alperin Bruvera